Tuesday, February 25th, 2014
EVER since he emerged as a leading light of the American independent film scene in the 1980s, Jim Jarmusch has set his gaze on life’s outsiders and eccentrics – whether it be the slackers of Stranger than Paradise, the accountant lost in the Wild West of Dead Man, or the hitman with Samurai pretensions of
Monday, March 4th, 2013
AMERICAN cinema has just had the most delicious shot in the arm from Asia, namely from the Korean director Park Chan-Wook. Famous for his “vengeance trilogy” of dazzlingly shot, densely plotted, Grand Guignol thrillers, Director Park –...